Brannigan, Erin. 2011. “Dancefilm as Gestural Exchange.” Dancefilm: Choreography and the Moving Image. Oxford: Oxford University Press.
Cachia, Amanda. 2017. “Disabling Surrealism: Reconstituting Surrealist tropes in contemporary art.” Disability and Art History, ed. Ann Millett-Gallant and Elizabeth Howie. New York and London: Routledge.
Cachia, Amanda. 2017. “Curating New Openings: Rethinking Diversity in the Gallery.” Art Journal, 3-4: p. 48 – 50.
Crawford, Margo Natalie. 2017. “Introduction.” Black Post-Blackness: The Black Arts Movement and Twenty-First Century Aesthetics. Urbana: University of Illinois Press. p. 11 – 24.
Crawford, Margo Natalie. 2017. “Epilogue: Feeling Black Post-Black.” Black Post-Blackness: The Black Arts Movement and Twenty-First Century Aesthetics. Urbana: University of Illinois Press. p. 188 – 195.
Dick, Kirby. 1997. Sick: The Life and Death of Bob Flanagan, Supermasochist. 89 minutes.
Deleuze, Gilles and Felix Guattari. 1987. “1440: The Smooth and the Striated.” A Thousand Plateaus: Capitalism and Schizophrenia. Minneapolis: University of Minneapolis Press. p. 474 – 500.
Flanagan, Bob and Sheree Rose. 2000. The Pain Journal. Cambridge: Semiotext(e)/Smart Art Press.
Forti, Simone. 1997. Handbook in Motion, third edition. Northampton: Contact Editions.
Garland-Thomson, Rosemarie. 1997. Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature. New York: Columbia University Press.
Garland-Thomson, Rosemarie. 2001. “Seeing the Disabled: Visual Rhetorics of Disability in Popular Photography.” The New Disability History: American Perspectives, ed. Paul K. Longmore and Larui Umansky. New York: New York University Press. p. 335 – 374.
Hadley, Bree. “Introduction: Disability, Performance and the Public Sphere.” Disability, Public Space Performance and Spectatorship. New York: Palgrave Macmillan.
Madison, Gary Brent. 1992. “Did Merleau-Ponty Have a Theory of Perception?” Merleau-Ponty and Postmodernism, ed. Thomas Busch. New York: State University of New York Press. p. 94.
McArthur, Park and Constantina Zavitsanos. 2013. “Other forms of conviviality: The best and least of which is our daily care and the host of which is our collaborative work.” Women & Performance: a journal of feminist theory 23(1): 126 – 132.
McRuer, Robert. 2006. Crip Theory: Cultural Signs of Queerness and Disability. New York: New York University Press.
Millett-Gallant, Ann. 2010. The Disabled Body in Contemporary Art. New York: Palgrave Macmillan.
Millett-Gallant, Ann and Elizabeth Howie. 2017. Disability and Art History. New York: Routledge.
Phelan, Peggy. 1997. “Introduction: this book’s body.” Mourning Sex: Performing Public Memories. New York: Routledge.
Price, Margaret. 2015. “The Bodymind Problem and the Possibilities of Pain.” Hypatia 30(1): 268 – 284.
Schalk, Sami. 2018. Bodyminds Reimagined: (Dis)ability, Race, and Gender in Black Women’s Speculative Fiction. Durham: Duke University Press.
Siebers, Tobin. 2010. Disability Aesthetics (Corporealities: Discourses Of Disability). Ann Arbor: University of Michigan Press.
Sobchack, Vivian. 2004. Carnal Thoughts, Embodiment and Moving Image Culture. Berkeley: University of California Press.
Vale, V. and Andrea Juno. 1993. Bob Flanagan: Supermasochist. New York: Re/Search Publications.
Wendell, Susan. 1996. The Rejected Body: Feminist Philosophical Reflections on Disability. New York: Routledge.