Biblio

Brannigan, Erin. 2011. “Dancefilm as Gestural Exchange.” Dancefilm: Choreography and the Moving Image. Oxford: Oxford University Press.
Cachia, Amanda. 2017. “Disabling Surrealism: Reconstituting Surrealist tropes in contemporary art.” Disability and Art History, ed. Ann Millett-Gallant and Elizabeth Howie. New York and London: Routledge.
Cachia, Amanda. 2017. “Curating New Openings: Rethinking Diversity in the Gallery.” Art Journal, 3-4: p. 48 – 50.
Crawford, Margo Natalie. 2017. “Introduction.” Black Post-Blackness: The Black Arts Movement and Twenty-First Century Aesthetics. Urbana: University of Illinois Press. p. 11 – 24.
Crawford, Margo Natalie. 2017. “Epilogue: Feeling Black Post-Black.” Black Post-Blackness: The Black Arts Movement and Twenty-First Century Aesthetics. Urbana: University of Illinois Press. p. 188 – 195.
Dick, Kirby. 1997. Sick: The Life and Death of Bob Flanagan, Supermasochist. 89 minutes.
Deleuze, Gilles and Felix Guattari. 1987. “1440: The Smooth and the Striated.” A Thousand Plateaus: Capitalism and Schizophrenia. Minneapolis: University of Minneapolis Press. p. 474 – 500.
Flanagan, Bob and Sheree Rose. 2000. The Pain Journal. Cambridge: Semiotext(e)/Smart Art Press.
Forti, Simone. 1997. Handbook in Motion, third edition. Northampton: Contact Editions.
Garland-Thomson, Rosemarie. 1997. Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature. New York: Columbia University Press.
Garland-Thomson, Rosemarie. 2001. “Seeing the Disabled: Visual Rhetorics of Disability in Popular Photography.” The New Disability History: American Perspectives, ed. Paul K. Longmore and Larui Umansky. New York: New York University Press. p. 335 – 374.
Hadley, Bree. “Introduction: Disability, Performance and the Public Sphere.” Disability, Public Space Performance and Spectatorship. New York: Palgrave Macmillan.
Hedva, Johanna. 2016. “Sick Woman Theory.” Mask Magazine, The Not Again Issue (24).
Hedva, Johanna. 2018. “About & Contact.” Johanna Hedva
Hegel, Georg Wilhelm Friedrich. 2009. “Philosophy of Fine Art.” The Art of Art History: A Critical Anthology, ed. Donald Preziosi. Oxford: Oxford University Press. p. 80 – 88.
Ihde, Don. 2002. Bodies in Technology. Minneapolis: University of Minnesota Press.
Jameson, Fredric. 1991 “I: The Culture Logic of Late Capitalism.” Postmodernism, or, The Cultural Logic of Late Capitalism. Durham: Duke University Press. p. 1 – 54.
Jones, Amelia. 1990. “‘Post-feminism’—A Remasculization of Culture?” M/E/A/N/I/N/G, 7: 29 – 40.
Jones, Amelia. 1998. Body Art Performing the Subject. Minneapolis: University of Minnesota Press.
Joy, Jenn. 2014. “Introduction. Opening to the Choreographic.” The Choreographic. Cambridge: MIT Press. p. 1 – 24.
Kafer, Alison. 2013. Feminist, Queer, Crip. Bloomington: Indiana University Press.
Kant, Immanuel. 2009. “The Critique of Judgement.” The Art of Art History: A Critical Anthology, ed. Donald Preziosi. Oxford: Oxford University Press. p. 62 – 79.
Lazard, Carolyn. 2018. “How to be a Person in the Age of Autoimmunity.” Carolyn Lazard.
Madison, Gary Brent. 1992. “Did Merleau-Ponty Have a Theory of Perception?” Merleau-Ponty and Postmodernism, ed. Thomas Busch. New York: State University of New York Press. p. 94.
McArthur, Park and Constantina Zavitsanos. 2013. “Other forms of conviviality: The best and least of which is our daily care and the host of which is our collaborative work.” Women & Performance: a journal of feminist theory 23(1): 126 – 132.
McRuer, Robert. 2006. Crip Theory: Cultural Signs of Queerness and Disability. New York: New York University Press.
Millett-Gallant, Ann. 2010. The Disabled Body in Contemporary Art. New York: Palgrave Macmillan.
Millett-Gallant, Ann and Elizabeth Howie. 2017. Disability and Art History. New York: Routledge.
Phelan, Peggy. 1997. “Introduction: this book’s body.” Mourning Sex: Performing Public Memories. New York: Routledge.
Price, Margaret. 2015. “The Bodymind Problem and the Possibilities of Pain.” Hypatia 30(1): 268 – 284.
Schalk, Sami. 2018. Bodyminds Reimagined: (Dis)ability, Race, and Gender in Black Women’s Speculative Fiction. Durham: Duke University Press.
Siebers, Tobin. 2010. Disability Aesthetics (Corporealities: Discourses Of Disability). Ann Arbor: University of Michigan Press.
Sobchack, Vivian. 2004. Carnal Thoughts, Embodiment and Moving Image Culture. Berkeley: University of California Press.
Vale, V. and Andrea Juno. 1993. Bob Flanagan: Supermasochist. New York: Re/Search Publications.
Wendell, Susan. 1996. The Rejected Body: Feminist Philosophical Reflections on Disability. New York: Routledge.